This exhibition features the work of three artists from different generations.

Robert Adams (born in 1937, New Jersey, USA) works exclusively with small-format black-and-white photography in the American landscape. Adams lives in Denver, Colorado, and explores the decay of the American landscape, studying notions of landscape, truth, criticism, and more.
Historians often refer to his work as a catastrophic allegory. The gallery presented two solo exhibitions of his work in 1994 and 1997.

Inaki Bonillas (born in 1981 in Mexico City) reinterprets conceptual art and explores the origins of photography. This notion of origin is explored in two series of 25 photographs taken from family archives. Profiles and silhouettes play on the positive and negative, photographic work and contours drawn in graphite.
The gallery organised a solo exhibition of the artist’s work in 2003.

Louise Lawler (born in 1947, lives in New York) presents a collection of recent Cibachrome prints that explore the work of other artists. Lawler has been reflecting on the art world for many years: the institutional framework, the exhibition venue, the exhibition curator, the collector, the art market… In short, everything that makes up the art ‘world’. Her perspective, sometimes akin to that of a documentarian or sociologist, allows us to see what surrounds the work, whose meaning is increasingly interchangeable and unstable. This study of exhibition design increasingly reveals the environment and contemporary museology in full growth in a world dominated by the culture industry.
The gallery presented solo exhibitions by Louise Lawler in 1988, 1991 and 2001.