Thomas Struth (Geldern, 1954) is regarded as one of the most prominent contemporary artists, who with the title “walking” makes us participants of a powerful reflection on architecture and its evocative power. Walking through the streets of different places and countries, Struth fixes his gaze on how architectural spaces inform us about the stances taken by their inhabitants to populate them. Decisions that create the structure and soul of cities. Images that represent a particular way of looking at what is around us.

Archive, Matrix, Assembly: The Photographs of Thomas Struth 1978-2018 presents the first comprehensive, systematic theory of contemporary German artist Thomas Struth’s main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018. The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterises the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. In covering all phases of the artist’s work, it also develops a comprehensive critical reading of the work, serves as a monograph of the artist, and provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with his earlier work for which Struth first became internationally renowned. About the Author: Nana Last is an art and architecture theorist. She is Associate Professor of Architecture and founding Director of the Ph.D. Program in the Constructed Environment at the University of Virginia, and author of Wittgenstein’s House: Language, Space and Architecture (Fordham, 2008).

This catalogue accompanies a museum exhibition of the latest work of German artist, Thomas Struth. The touring show focuses on photographs Struth has made since his last major retrospective, which covered the years 1978–2010. The catalogue comprises 65 works (plus details) and includes all of the 30 works in the exhibition to create the most comprehensive book of Struth’s recent work.

Thomas Struth draws the viewer into the semidarkness of forests and jungles, the impenetrable yet bright green of trees, bushes, and tropical plants. With 11 new pictures, the expanded new edition of his Paradise book contains the entire series taken in China, Japan, Australia, Brazil, Germany, Peru, Florida, and Hawaii.

A comprehensive overview of Thomas Struth’s photographic œuvre, from his 1987 Unconscious Places to his celebrated Museum Photographs, Family Portraits, Paradise Pictures, and his most recent series Nature and Politics.

This book brings together sixteen photographs made by Thomas Struth in Israel and the Israeli-occupied West Bank in 2009, 2011 and 2014. Struth continued his practice of creating singular images, each within one of the strictly segregated subject fields he has developed through his career: street photographs, portraits, landscapes and photographs of high technology. Each image carries the enduring complexity and visual distillation of human experience for which Struth is known. Approaching the sheer diversity and quiddity of the inhabited world, he attempts to represent what he has referred to as “a particle of the conflict of the region”, to photograph, fragment by fragment, the conflicted political and social landscape.