For its first participation to BRAFA, Galerie Greta Meert conceived a presentation that reflects the gallery’s artistic vision and long-standing commitment to dialogue across generations. For more than thirty-five years, the gallery has developed a program in which historical and contemporary practices are brought together through shared questions of form, material, space and perception, rather than through strict chronological or stylistic divisions.

The presentation unfolds as a conversation between key works from the second half of the twentieth century and a selection of contemporary practices. Rather than offering a survey, the stand proposes a concentrated exploration of how artistic ideas circulate over time, reappear in different contexts and find renewed expression across media and generations. Intimate works sit alongside more monumental pieces, allowing for shifts in scale and rhythm that encourage close looking and reflection.

Design and functionality also play an essential role in the presentation, reinforcing the gallery’s belief in the continuity between art, architecture and everyday space. Objects are not presented as isolated statements, but as elements within a broader visual and conceptual ecosystem, where material choices, proportions and spatial relationships become central.

Ultimately, Galerie Greta Meert’s participation in BRAFA is guided by a desire to create meaningful encounters rather than fixed narratives. The presentation invites visitors to move through a network of relationships—between past and present, abstraction and structure, image and object—reflecting the gallery’s enduring conviction that art carries a universal and evolving language.