Heads and tails appear and disappear throughout the illusionistic space of Anne Neukamp’s paintings. Pile ou Face, the background becomes the foreground, the signifier escapes the signified, shadows drop before our eyes. In her pictorial approach to semantics, Anne Neukamp composes with the idiomatic motifs, logos, pictograms, and mascots that populate our informational subconscious. Deceptively, she juxtaposes layers, merges them, and makes them transparent or opaque. Permeated by the materiality of painting and stripped of their functionality, signs and images designed for everyday efficiency take on sculptural proportions.